Ailsa Chang

Filmmaker Nanfu Wang grew up in rural China under the country's one-child policy, which was announced in 1979 and not officially rescinded until 2015.

Born in 1985, Wang never knew a life without it — as a kid, she remembers seeing propaganda promoting the rule everywhere.

"At some point, it just became a normal part of life, just like the air, the water, the tree," she says. "And you just stop paying attention, stop questioning, because it has always been there."

There were propaganda matchboxes, lunchboxes, murals and songs on TV.

As a kid, Enrique Olvera spent hours in his grandmother's bakery in Mexico City. He loved watching everyday ingredients like flour, sugar and eggs fuse into something entirely different.

For Olvera, even the simple act of baking a cake felt like magic.

He absorbed every detail as his grandmother gently coaxed masa into handmade tortillas. On Sundays, he joined his father in the kitchen, chopping onions and tomatoes for breakfasts of scrambled eggs and dry beef.

Moms perform heroic tasks every day, but they rarely get portrayed as superheroes. That changes in the new film Fast Color, which tells the story of three generations of black women — a daughter, a mother and a granddaughter — all of whom have supernatural powers.

Lt. Col. Bree "B" Fram left a doctor's office on April 2. Presenting that day as Bryan, the name given to them at birth, B should have been relieved.

"Overall, it's a good thing," said B. "It just didn't feel great to have to do it on someone else's timeline other than my own."

"It" was an official diagnosis of gender dysphoria. As a transgender member of the military, B had to secure the diagnosis by April 12 in order to continue serving openly.

The new novel Trust Exercise opens with teenagers attending an elite performing arts high school in the 1980s.

There, the theater kids form heartfelt friendships and relationships, and then sabotage them. Their semi-tyrannical drama teacher both inspires and manipulates them — with his "trust exercises."

Midway through, the book leaps forward in time and perspective. One of the students, Karen, is now an adult, re-thinking her past.

Quinn Robinson is only 18 years old, but she has already learned some hard lessons about the world. "It's scary being a trans person because I know there are people out there who just hate me for being myself," she says. "There's been kids who have approached me and say, 'Hey, you should burn in hell.' "

Robinson is a high school senior in Allendale, Mich., a small but growing town about 30 minutes outside Grand Rapids and smack dab in the middle of what's known as the state's "Bible Belt." Drive off the main road and you quickly find yourself in farm country.

Jennifer Eberhardt has been interested in issues of race and bias since she was a child.

The African-American Stanford University psychology professor — and author of a new book called Biased -- grew up in an all-black neighborhood in Cleveland, Ohio. Then, one day, Eberhardt's parents announced the family was moving to the Cleveland suburb of Beachwood. When Eberhardt arrived there, she told NPR's Ailsa Chang, she noticed something strange: She could no longer tell people's faces apart.

The new movie Us, Jordan Peele's follow-up to Get Out, is a horror movie.

It starts with a black family on vacation. They go to the beach; dad buys a boat. Then things start getting creepy.

One night, another family dressed in red jumpsuits shows up in front of the house. And each member of this new family — mom, dad, sister, brother — is an identical copy of the family inside. They're doppelgangers.

The new movie If Beale Street Could Talk is based on a James Baldwin novel of the same title.

Barry Jenkins (Moonlight) adapted and directed the film. And in working with the Baldwin estate, he received a leather notebook filled with Baldwin's handwritten notes about how he would have approached a film version.

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