Since 2015 I’ve had the privilege and fun of reviewing local theatre, first for The Dispatch/Argus and then for WVIK. In that time, I’ve written 123 reviews. To the best of my recall, I don’t believe I have ever used the phrase, “must see” in any of my reviews. Well, that ends now.
Circa 21’s current production of Chicago is a “MUST SEE” for all lovers of musical theatre. Director and Choreographer Ashley Becher has created a Broadway-worthy production full of energy, truly impressive killer choreography reminiscent of the great Bob Fosse – who, by the way, co-wrote the book for this show, and amazing vocal talent that includes the longest held note in my experience and the highest note performed outside an opera. Circa 21 owner and producer Denny Hitchcock worked 20 years to bring this show to Rock Island and it is more than well worth the wait.
Equally impressive is the Art Déco set by Becky Meissen that is both simple and elegant and provides multiple levels for the challenging blocking and choreography that is flawlessly executed. Bradley Robert Jensen’s costumes are luscious and fun. He continues to top himself with every show.
In case you’re not familiar with the book for this show, its plot revolves around vaudeville performers Roxie Hart (played by Sarah Beth Ganey) and Velma Kelly(portrayed by Elly Rebeka) – both of whom are accused of murder – and their rivalry to achieve fame to advance their careers through their legal travails at the manipulation of their sleazy lawyer, Billy Flynn (played by Bobby Becher who performed that incredibly long note). Standing out from all the outstanding numbers are N. Fuqua as Little Mary Sunshine, the saccharine reporter, who delivers that high note in the number “A Little Bit of Good” and Robert Sharkey’s touching rendition of the poignant “Mr. Cellophane” number.
You will be so sorry if you miss this show.
Chicago continues at Circa ‘21 Dinner Playhouse, 1828 – 3rd Avenue in Rock Island where you can now book tickets on their website through July 5th with matinee performances on Wednesdays, evening performances Wednesdays, Fridays, and Saturdays and Dinner performances on Sundays. And, yes, massive street construction continues right in front of the theatre. The good news is that completion is, hopefully, only two weeks away; the bad news is that once that work is complete the city will begin work on the intersection right outside the theatre which is estimated to take one to three months to complete.
I’m Chris Hicks…break a leg.